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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Young Girl in a Lace Hat oil painting

Painting ID::  28558

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Pierre Renoir
Young Girl in a Lace Hat
1891 Oil on canvas 55 x 46 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir The Wasberwoman oil painting

Painting ID::  28562

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Pierre Renoir
The Wasberwoman
c 1891 Oil on canvas 46 x 56 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir The Beach at Guernsey oil painting

Painting ID::  28563

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Pierre Renoir
The Beach at Guernsey
c 1895 Oil on canvas Private collection (mk64))
   
   
     

 

 

Pierre Renoir Portrait of the Artist's Father oil painting

Painting ID::  28566

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Pierre Renoir
Portrait of the Artist's Father
1799-1874 1869 Oil on canvas 61 x 46 cm St Louis Missouri St Louis Art Museum (mk64)
   
   
     

 

 

Pierre Renoir Portrait of the Artist's Mother oil painting

Painting ID::  28567

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Pierre Renoir
Portrait of the Artist's Mother
1807-1896 1860 Oil on canvas 45 x 38 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Venus and Cupid (Allegory) oil painting

Painting ID::  28571

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Pierre Renoir
Venus and Cupid (Allegory)
1860 Oil on canvas 46 x 38.1 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Woman with a Parasol in a Garden oil painting

Painting ID::  28579

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Pierre Renoir
Woman with a Parasol in a Garden
1873 Oil on canvas 54.6 x 64.7 cm Madrid Museo Thyssen-Bornemisza (mk64)
   
   
     

 

 

Pierre Renoir Madame Monet Reclining on a Sofa Reading Le Figaro oil painting

Painting ID::  28583

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Pierre Renoir
Madame Monet Reclining on a Sofa Reading Le Figaro
1872 Oil on canvaas 54 x 73 cm Lisbon Museu Calouste Gulbenkian (mk64)
   
   
     

 

 

Pierre Renoir Road by Saint-Simeon Farm oil painting

Painting ID::  28584

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Pierre Renoir
Road by Saint-Simeon Farm
1864 mk64
   
   
     

 

 

Pierre Renoir The Road from Trouville to Honfleur as it looks now oil painting

Painting ID::  28585

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Pierre Renoir
The Road from Trouville to Honfleur as it looks now
mk 64
   
   
     

 

 

Pierre Renoir The Bath oil painting

Painting ID::  28587

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Pierre Renoir
The Bath
1883 Chalk 72.5 x 96.5 cm Lugano Switzerland The Thyssen-Bornemisza Collection (mk64)
   
   
     

 

 

Pierre Renoir After the Bath(Little Bather) oil painting

Painting ID::  28589

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Pierre Renoir
After the Bath(Little Bather)
1887 Oil on canvas 60 x 54 cm Oslo Nasjonalgalleriet (mk64)
   
   
     

 

 

Pierre Renoir View at Dolce Acqua with the Borgho Antico the bridge over the Nervia and the Doria Castle Postcard oil painting

Painting ID::  28612

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Pierre Renoir
View at Dolce Acqua with the Borgho Antico the bridge over the Nervia and the Doria Castle Postcard
c 1900 (mk64)
   
   
     

 

 

Pierre Renoir Self-Portrait oil painting

Painting ID::  28614

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Pierre Renoir
Self-Portrait
c 1875 Oil on canvas 39.1 x 31.7 cm Williamstown Massachusetts Sterling and Francine Clark Art Institute (mk64)
   
   
     

 

 

Pierre Renoir Portrait of Children(The  Children of Martial Caillebotte) oil painting

Painting ID::  28619

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Pierre Renoir
Portrait of Children(The Children of Martial Caillebotte)
1895 Oil on canvas 65 x 82 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Child with Cat (Julie Manet) oil painting

Painting ID::  28621

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Pierre Renoir
Child with Cat (Julie Manet)
1887 Oil on canvas 65 x 54 cm Paris Musee d'Orsay (mk64)
   
   
     

 

 

Pierre Renoir Dancing Girl with Castanets oil painting

Painting ID::  28623

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Pierre Renoir
Dancing Girl with Castanets
1909 Oil on canvas 155 x 64.8 cm London The National Gallery (mk64)
   
   
     

 

 

Pierre Renoir Landscape with Figures at Cagnes oil painting

Painting ID::  28632

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Pierre Renoir
Landscape with Figures at Cagnes
c 1916 Oil on canvas Belgrade Serbian Republic Narodno Muzej (mk64)
   
   
     

 

 

Pierre Renoir The Washerwomen oil painting

Painting ID::  28626

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Pierre Renoir
The Washerwomen
c 1886-1889 Watercolour 21 x 17.1 cm Baltimore Maryland The Baltimore Museum of Art The Cone Collection formed by Dr Claribel Cone and Miss Etta Cone Of Baltimore (mk64)
   
   
     

 

 

Pierre Renoir Reclining Nude(The Baker) oil painting

Painting ID::  28629

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Pierre Renoir
Reclining Nude(The Baker)
1902 Oil on canvas 54 x 64..7 cm Private Collection (mk64)
   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..